Sheets with bar lines to compose music3/18/2024 ![]() ![]() Whilst we can’t include every single aspect of scoring into this checklist, the internet can. The same applies to intermediate and advanced players. Think about how you can create the most comfortable and most logical fingering for the player.Īsk yourself: Could I sight-read this? If you are a beginner and you are writing a beginner’s piece, and you have answered no to the above question, then perhaps your piece is not quite ready. These are most often placed above the stave for right-hand markings, and below the stave for left-hand markings. Inserting a suggested fingering is entirely optional, however it does of course help the player to a large extent. Make sure every single note is marked correctly. What if the dynamic marking physically gets in the way of the music? Place it above the music to avoid any collisions.įorgetting to insert a sharp, flat or natural can affect the player’s – and listener’s - interpretation of the piece. Tempo markings, articulations, and ornaments normally sit above the stave, whilst pedal marks will sit below. Note relationships (tie, slur, glissando)ĭynamics in piano music are usually placed in between the staves.Tempo markings (adagio, allegro, rubato).Dynamics (crescendo, decrescendo, pianissimo, forte). ![]() So, scan through your piece and make sure you have included every marking you intended to include. Whether you are the intended player of the piece, or whether it's intended for someone else, that player needs as much information as possible. Even the smallest of expressions can add so much to a piece of music. Your use of expression throughout your piece can be the difference between a good composition and a brilliant one. Are your left-handed notes edging close to the right-hand stave? Add a little room by moving the two staves a little further apart.ĭouble-check your score for the following, making sure you have not missed any bar lines that should be there. Make sure you can clearly read every single note, without trouble. It's important to make sure that your score can breathe. We can sometimes add an extra beat in by accident. Scan through your piece carefully and make sure that the beats in each bar add up in correspondence with the time signature. Is there a change of clefs halfway through your piece? Did you remember to insert the new clef? Did you remember to revert back to the original clef if you intended to do so? ![]()
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